Dark Side of the American Dream

Essays in honor of Paul Cantor—this volume applies libertarian philosophy and free-market economic theory to both literature and media, from early modern drama to novels to comic books, cinema, and television series. Book

Titus & Paul Cantor talk about David Milch's most famous achievement, Deadwood--the movie & the TV show both: A lawless, but orderly vision of America. An America with commerce but without religion, with freedom but without equality--what kind of community & what kind of justice is possible in such a situation? Podcast

Titus & Paul Cantor discuss Frankenstein on its 200th an.--the novel, its history on the stage in the 19th c., & various movie adaptations in the 20th c. We talk about the genius of Mary Shelley & the rarity of a new myth being created by a single person under the historical spotlight! We talk about Enlightenment, Romantic poetry, & how new technologies of communication provoke nostalgic storytelling. Podcast

The introductory lecture in Prof. Cantor’s course “Myths of Creation.” It explains the importance of creation myths in Western civilization; it lays out the classical and biblical traditions of creation; and outlines the readings in the course and its focus on the Romantic creation myth, which seeks to overturn in gnostic fashion the values of traditional creation myths. Lecture

The ancient Greek accounts of the creation differ greatly from the one in the Bible. In his Theogony, Hesiod produces a polytheistic account of the origin of the world. Lecture

Milton’s Paradise Lost as an attempt to synthesize the Biblical and classical accounts of the Creation. Lecture

A study of Wagner’s Ring Cycle as a Romantic creation myth, analyzing how it tells the story of an initial harmony with nature, a fall from that unity into the power struggles of civilization, and Wagner’s hope for an apocalypse that would allow for the triumph of love in the world. Lecture

Nietzsche does not offer a myth of creation, but his new myth of the Eternal Recurrence is meant to provide a new basis for human creativity. Lecture

This lecture analyzes Yeats as the poet of a Post-Nietzschean world, having rejected any vision of eternity and embraced human life as a series of historical cycles of creation and destruction; the lecture looks at the opposition between art and life in Yeats’s works and shows how he tries—but ultimately fails—to transcend it. Lecture

Samuel Beckett’s Trilogy (Molloy, Malone Dies, and The Unnamable) treated as a gnostic creation myth, in which what is created is the book itself, by a mysterious god or gods, who, like the Romantic demiurges, cannot create a decent world for their creatures. Accepting Nietzsche’s idea of the Death of God, Beckett creates a story in which the novelist dies midway, leaving his characters to fend for themselves in the absurd world he leaves behind him. Lecture

Derek Walcott is the great poet of cultural hybridity.  He had a complex cultural heritage. Lecture

Many critics regard King Lear as Shakespeare’s greatest play and his most tragic. Essay